No blaze, no balance: why fire is key to Bend’s healthy forests
April 20, 2026
3 minute readJohn Kish’s road to creating a professional theater in Bend may run from Oregon to Broadway and back, but all along his mission has been consistent and clear: use complex, beautiful art as a way to strengthen the backbone of a community.
Kish is one of 22 grant winners of the 2026 Bend Cultural Tourism Fund, a program that converts Bend’s appeal as a travel destination into support for high-quality arts and culture events enjoyed by visitors and locals alike. This is the fifth time he’s won a BCTF grant.
Kish moves Bend’s cultural needle through The Greenhouse Cabaret, his intimate 65-seat theater that pays its actors and staff for putting on thought-provoking shows that make people cry, laugh, and expand their comfort zones. The playhouse is tucked inside a former garage and gear shop that also houses his spectacular indoor plant store, Somewhere That’s Green.
“I want you to come in, see a play, and then go talk,” he says. “Art isn’t finished until you’re processing that messiness with another person. That’s where the community actually happens.”
Kish’s next production, Angels in America, will run from Aug. 7 to Sept. 5, 2026. Visit The Greenhouse Cabaret website for tickets and show times. Find a great place to stay in Bend and learn more about arts and culture in Bend here.
The work Kish does through theater, he says, is a direct response to the “doom scrolling” of the modern era. “We’ve gotten so numb,” Kish says. Performing arts, in his view, is the antidote.
The experience at The Greenhouse Cabaret is defined by its scale. In a “weird size, weird shape” theater in Bend’s Central District, the boundary between performer and audience vanishes. “You can hide in the back of a big theater,” he says. “Here you can sit in the back row, but we can still see the whites of your eyes. There’s no hiding.”
Kish often draws parallels between his two passions: horticulture and the stage. Just as a homogenized field of corn becomes susceptible to mutations, he says, communities without a wide range of stories can become stagnant.
“Art has always been there to remind us of our humanity,” Kish explains. By bringing in diverse talent and staging complex plays alongside vibrant musicals, he is helping to weave a cultural network in Bend that goes deep. He wants to make sure that beyond the landscapes, beer, and recreation, that Bend hums with intellect and soul.
The popularity of the Greenhouse Cabaret—shows sell out regularly—signals Bend’s broader identity. Here, the high desert vibe includes room for professional-grade theatrical intimacy and “Brooklyn-style” grit.
As Kish puts it, plants remind us of the beauty that comes from nurturing what’s within, while theater reminds us that we are all humans living on a “messy planet” together, he says. Whether a cabaret show is your first or 40th, he has a simple invitation: turn your brain on, get a little uncomfortable, and see what grows.
All BCTF funds come entirely from taxes visitors pay to spend the night in Bend at short-term, commercial lodging properties, meaning that simply by choosing to stay within Bend city limits—at a hotel, a vacation rental, or even an RV park—you are giving back. Most of that lodging tax money—about $10 million a year—goes directly to the city to pay for police, fire, and other core services, helping to make sure Bend’s visitor economy benefits everyone. To date, the BCTF has reinvested more than $2.8 million across 155 projects since 2015. Please go here for a complete list of grant winners.